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Doctor Who: The Collection – Series 4 Artwork

A Series 4 Tenth Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

Revised March 2024 Version:

Original version:

Special thanks to my friend Tweetlord for helping me decide what colours to use for this season and what the Doctor should hold in his hand this time … this time being nothing, but a regenerating hand.

Though technically it’s inaccurate, since both times he regenerates in this season (The Stolen Earth and The End of Time, and yes I count Series 4 + the Specials as part of the same season) he doesn’t wear a trench coat. The decision to give him this outfit for this cover came down to the struggles finding pics of him raising his hand while wearing a trench coat in Series 2. I want to give him a different outfit on each season cover, so if he can’t wear a trench coat on the Series 2 cover, he’s got to on this one. The plan for Series 3 is the Blink outfit, and the plan for Series 2 is the black/dark grey suit. He wears the blue suit in this one with a trench coat.

Yeah.. I realised that my creativity is not that innovative when I discovered the pose I was doing for the Doctor was nearly identical to the pose on the official Specials steelbook. But I try to pick a pose/item for the Doctor to hold that’s most thematically relevant to the respective season. Except for when I gave Capaldi the memory worm on the Series 8 cover, but that’s cause I couldn’t find good pics of him holding chalk like from Listen. I know I’m being pedantic and stubborn, but I try not to use pics from other seasons or actors outside of the season I’m doing a cover for. It feels like cheating. The one time I broke this rule was when I used pics from the Series 9 sonic screwdriver reveal video for the Series 10 cover. Outside of that, never!

I was really unsure of the colour scheme to use for this cover… so here’s another version. It was hard to decide; Red and blue works well for the Tennant era overall, but purple fits Series 4… but gold/orange fits the Specials. When I started these covers, I honestly chose colour for each cover based solely on the section of the title sequence I was using for the background. I was happy with this until some person on Reddit said the Series 8 and 9 colours should have been swapped, so I’ve been unsure of my decisions ever since. Lesson learned: Don’t use Reddit.

With thanks to @TBAGallery for HQ images.

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Doctor Who: The Collection – Season 3 Artwork

A Season 3 First Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

I made this to procrastinate on two final uni assignments I have due in three days. What have I done.

Breakdown of the Doctor composite
Breakdown of the Doctor composite
Breakdown of the monsters collage

With thanks to @TBAGallery for HQ images.

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Reflecting on ‘Not To Be Racist’: a comic about casual racism

Pages 2-3 of Not To Be Racist

Read the full comic Not To Be Racist here: https://tempusware.com/comics/

One of the electives I’m taking this semester at uni is a design course in which I’ve been tasked to design a zine, a magazine/poster/article/pamphlet/thing ..? It’s pretty broad on what a zine can be, so the brief was to theme it after a social/political/cultural topic. A couple of ideas were kicking around in my head: asexuality or racism. Funnily the tutor suggested choosing a topic like the perception of ibises if we were struggling to find a topic.

I’d been thinking about making a short film about casual racism for a while. There’s a lot of media about discrimination faced by Black people but I feel like Asian racism is only just starting to come up in discussion. I had a conversation with someone last year about transphobia and racism. He argued, after watching a Dave Chappelle Netflix special, that trans people should not be comparing transphobia to racism because it supposedly negates racism..? Like “transphobia is not as bad as racism so you shouldn’t say it’s like racism.” I tried telling him that by saying one thing is bad doesn’t mean another thing is not also bad. By comparing two things that are bad, someone who doesn’t understand why thing 1 is bad can begin to understand because of their existing understanding of why thing 2 is bad. He argued “but Black people had slavery!”, forgetting that I am Chinese. He’s cis and white, by the way.

#TransRights

Things like this remind me that many people don’t realise Asian racism exists – racism is just something to happens to Black people. But it happens more than you think. Primary school kids shout “SPEAK ENGLISH!” as they ride their bikes past me. Teenagers call out “KONNICHIWA” while I’m waiting for the bus, as a middle-aged woman walks ups to me speaking ching-chong gobbledygook. This is just stuff that has happened in the past few years. In school, I was basically the only Asian student, which meant that the other kids assumed I was related to any other Asian they saw. They loved to slant their eyes to mock my Asian facial features. It’s stupid, and labeling it as “childish” implies that it’s a normal thing for children to do. This shit leaves trauma.

So yeah, a lot of material to pull from.

Choosing to take a design course was not an immediate 100% let’s do it. I had two electives to fill this semester; The last two years, I did screen media courses and each time I thought to myself “Never. Again.” before forgetting about it when it came to select electives again. While I love filmmaking, studying it and having your art be graded on criteria is just so discouraging. Industry filmmaking is so formal, structured, scripted – and I don’t jell with it anymore. And also working in groups where everyone makes it deeply apparent they’d rather be doing absolutely anything else but filmmaking is not fun.

My favourite thing about filmmaking is the problem solving. I often think about David F Samberg’s video on ‘The Problem Solving of Filmmaking‘ and various commentaries from Matt Johnson about how they found the structure in the edit or as they were filming. I’m terrible at improvisation, but it’s what I enjoy the most – and often in my short films the best jokes were unscripted and just happened cause I thought of it in the moment.

This comic, like my short films, was basically improvised, bodged together. I didn’t write a script or a plan for how the comic would play out. I just thought of an idea and immediately scribbled drawings on paper. A tutor, after I showed the finished zine to her, said it had a clear structure. It was only after I had drawn the sketches for each story that I realised I could arrange them in a narrative going from light-hearted to dramatic.

One reason I was nervous when choosing to take a design course – knowing there’d be a zine – was that I can’t draw. I haven’t drawn art in years. The most I’ve done in the past few years is doodling storyboards for short films, which I stopped doing when I started fully improvising. 1 double-sided A3 paper, or 8 A5 pages needed to be filled with content. I knew I couldn’t get away with minimalism – drawing small pictures or writing a little bit of text surrounded by a vast amount of white space – 1. because I’m not smart enough to come up with some artsy justification and 2. because it’s boring.

The last comic I made, from November 2016.
A storyboard from my short film Raindrops (2021)

I scribbled a rough draft of each comic page on paper. A couple stories were redrawn when I thought of a more interesting layout.

I experimented with drawing over old pictures of me but cartoony, but it just looked plain bad.

Page 1 Digital redraw Draft

Also there’s so much white space. It sucks. I looked through some greyscale comic books I have and was inspired by Alice Oseman’s Heartstopper series. She uses paint brush strokes in the backdrops of panels, and well I just thought it looked cool and it dealt with the overwhelming empty space on each page so I tried it out with a brush in Photoshop called ‘Kyle’s Ultimate Pastel Palooza’.

Page 1 Digital redraw Draft 2

By the end of the comic, I’d found making it quite therapeutic and maybe went a bit overboard on the paint splatter. I still had 1 page left I needed to figure out how to fill. I tried going for minimalism, and then kept adding stuff.

Page 7 draft
Full final story spread across 3 pages

I compared the earliest page I’d drawn (the ‘Is that your mum?’ story) with the later pieces and recognised that my art got less bad as each page went on. I was really unhappy with the front cover, and the fact that it’ll be the first thing anyone who reads it sees, so the last day before I had to submit the zine, I redrew the first page. I actually had to finish “colouring”/filling in the colours at the uni on a mouse hours before I submitted it cause I had to catch an early bus. I printed the comic on paper – stapled it together, and for the final page, made a little flappy part to reveal alternative panels.

I’m really happy with the final piece. It’s the most personal I’ve gotten in my art and doing it has kind of revitalised my interest in drawing art. It’s also really gratifying to have just made a thing. I made something that didn’t exist before and now it’s in my hands.

I don’t think I’ll ever be an artist, but I’m loving experimenting in other mediums to express myself.

I’ve been thinking about music lately.

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An Archive of My Own

Here I am nearing the end of my second last semester of uni. The third and final year of a Bachelor of Information and Communications Technology. Something I’ve frequently thought throughout my time at university is – I don’t think I’ve learned anything?

Having done webdesign/programming stuff as a hobby during my teen years, well before I started studying at university, I’ve found the courses and assignments largely unchallenging. The first year presented a course in basic Python programming. The second year, Java and object-oriented programming. This semester, full stack with Node.JS, React and TypeScript. Every task I breezed through, but now I realise I’ve forgotten how to program in Python and Java. I can code, but I don’t know how.

Yesterday, I looked into modifying a Minecraft mod for voice-control. It was in Java, and I couldn’t understand it all. Earlier today I used ChatGPT to write a Python script to restructure some HTML-formatted data because I couldn’t be bothered figuring out how to read/write files and substring stuff with Python.

The last assignment I had, to create a trivia game web app, required the use of React, React Routers, Bootstrap, Node.JS, Express, TypeScript, and MongoDB. Unfamiliar territory – but I did it. What I’ve realised now is that as soon as I finish the assignment – I forget everything I just learned. So today I decided to try and make something using the knowledge I just learned to hopefully retain it in my memory for the future.

I have a weirdly strong passion for presenting my past creations in a uniform archive. Sometimes I think I’ve made more archive galleries than actual content.

A 2019 archive for the history of websites I’ve made over the years.

So, when thinking about what I could make using React and Bootstrap, I decided to make another archive. A definitive archive of TempusWare’s animated/music/machinima content. I previously made a webpage of links to all the Club Penguin videos and Doctor Who music I made, but it was all HTML and JavaScript. To use it with React, I had to reformat the data from html tags to JSON.

From HTML:

<div>
    <a href="javascript:music(
        'IPn0S4MOcxc',
        'youtube',
        '3')">
        <div>
            Propero Pulsus
            <br>
            31/10/14
        </div>
    </a>
</div>

To JSON:

{
    "trackID": "IPn0S4MOcxc",
    "platform": "youtube",
    "intro": "3",
    "title": "Propero Pulsus",
    "date": "31/10/14"
}
A webpage of links to my Club Penguin videos.
A webpage of links to my Doctor Who theme music remixes. Clicking on a button would change the above player.

I’ve gotten pretty lazy. Or smart? Whenever I upload an image to this blog, I compress it first. I pay $3.48/month for web hosting (as of this month; previously it was $2.25/month 😐) so I only have 5GB of disk storage. To compress an image, I have to open the command prompt and write a line of code – every time, for every image. I gotta find the exact file name, type in an output file name; Terribly annoying. So I just asked ChatGPT to write a batch file to:

  1. Find the image in the current directory
  2. Compress it using ffmpeg to a webp with 80% quality
  3. Output in the same directory with the same file name as the original image but as webp
  4. Instead of specifying the quality level in the batch file, do this:
  5. Read the name of the batch file
  6. Extract the quality level from the number in the filename
  7. To set the quality as 80, the file name should be like this: compress80.bat
  8. Allow for the following image file types:
  9. png, jpg, jpeg, gif
  10. Always output as webp
  11. Set the ffmpeg path to C:\FFmpeg\bin\ffmpeg.exe
  12. thanks

Work smarter not harder? I think using AI to replace labourious tasks is great. Absolutely against AI art though. AI Art SUCKS. Last night while I was asleep, a friend messaged me on Discord, “Love ai art”, and sent some artwork generations. Not a fun thing to see first thing in the morning.

Anyway, rather than rewriting every item in the list manually, I used the same process of asking ChatGPT and refining the output to convert the data.

Old HTML data
Restructured JSON data

Very satisfying.

I also went through all my old Minecraft Doctor Who and Ben 10 videos to compile a list of them all in the same format as the other stuff. I even pulled out an old hard drive and went through my Google Photos library to upload test renders of unfinished projects just so it’d be complete.

This actually took way longer than I had time to spare. I have an exam tomorrow morning.

Then came the Bootstrap and React. Now, I love React – it does exactly what I used to do manually from scratch because I didn’t want to learn React – but I hate Bootstrap. I’ve always thought it looked professional, because it’s uniform and I see it used everywhere, but it’s an absolute pain to work with. I probably spent hours trying to get two columns that were next to each other to be the same height – and eventually gave up. The great thing about making stuff for yourself is that you can give up at any time and not disappoint anyone but yourself.

TempusWare: The Archive

When I went to deploy it to Microsoft Azure – the same platform I used for the uni project – I was presented with filling in my debit card details.

So I followed a tutorial to deploy to GitHub Pages cause it was free!

And here it is: https://tempusware.github.io/tempusware-archive

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Doctor Who: The Collection – Wilderness Years Artwork

A Wilderness Years / Eighth Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

Not a fob watch or sonic in his hand cause I felt that’d be too obvious. Hope you get the mosaic explosions reference otherwise it probably just looks a bit weird.

For Scream of the Shalka and Shada, I used a Flash Decompiler to extract svg’s from the archived swf’s to get high quality art of the Shalka and Krarg.

With thanks to @TBAGallery @tjdw5251 @FlorianIgnazEl and @thebluebox5339 for their 4k upscales and HQ images.

Breakdown of the Doctor composite
Breakdown of the monsters composite

Completed

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Doctor Who: The Collection – Series 10 Artwork

A Series 10 Twelfth Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

The hardest Capaldi piece to construct since photos of this outfit (from Twice Upon a Time) are so limited. His right arm alone is constructed from five different pictures. 🫠

With thanks to @TBAGallery for HQ images.

Breakdown of the Doctor composite
Breakdown of the Doctor’s right arm composite
Breakdown of the monsters composite

Completed Feb 18, 2023

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Doctor Who: The Collection – Series 9 Artwork

A Series 9 Twelfth Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

This was the first Photoshop composite poster thing I made.

With thanks to @TBAGallery for HQ images.

Breakdown of the Doctor composite
Breakdown of the monsters composite

Completed

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Doctor Who: The Collection – Series 8 Artwork

A Series 8 Twelfth Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

Finding pictures where the Doctor’s arms are bent is the hardest thing I’ve ever had to do.

Breakdown of the Doctor composite
Breakdown of the monsters composite

Completed

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Doctor Who: The Collection – Series 7 Artwork

A Series 7 Eleventh Doctor fan art piece in the style of Lee Binding’s work for Doctor Who: The Collection.

Series 7 Eleventh Doctor art piece

There are so few pictures of Matt Smith facing forwards. The face for this piece was taken from the 50th Anniversary cinema intro where the 11th Doctor talks to the audience directly about the episode. I was about to give up searching for a face till I offhandedly clicked on it while going through the Blu-ray special features. It was a challenge finding a frame where he’s not smiling aggressively. 😀

With thanks to @TBAGallery for HQ images.

Breakdown pic of the Doctor
Breakdown of the Doctor composite
Breakdown of the monsters composite
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You have to kill me

A dark comedy about two sad people in a zombie apocalypse.

After being bitten by a zombie, a survivor in the apocalypse must convince someone they’ve just met to shoot them.

Short film
Retrospective

This was a short film I wrote and directed for university in October 2022. It is also the short film that taught me I don’t like using scripts. And that I’m a bad writer. And director. And actor.

The story of the film began as a joke I came up with in June 2021, which ended up being the final scene in this film.

the original idea written in notes app

In April 2022, I wrote a rough draft of a script (working title ‘I’m going to die’) and filmed it with someone I’d met while making a music video for uni in 2021, though by the next time I saw them the footage had been deleted, save for a few short clips that ended up in my 2022 Year in Review montage.

The first attempt at filming

When I took another screen media course later in 2022, the task of a narrative short film came up and I pitched the idea for this film to my team of four people (plus one actor who expressed interest when we shared our pitch).

I hadn’t intended on acting in the film, but as our casting call only got one response back, I filled in for the other role. While I wrote and directed the film, cinematography was handled by two other members of the team. Another member and I had put together a storyboard, but it was discarded early on during filming.

Storyboard excerpt

From the start of production, we faced restrictions from the uni when they banned the use of prop weapons after the script had already been completed. Bit of a problem when this film centres around being shot. There were also disagreements between members of the team prior to and during filming, which ultimately made this something of a salvage project to be saved in the edit. In the end, I’m a bit mixed on the film. There’s bits that I like and bits that I hate. It was a big learning experience for me and it taught me things about what I most like about filmmaking.

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Raindrops

A music video based on ‘Raindrops Keep Falling on My Head’ from B. J. Thomas. This was a short film I directed for university in October 2021.

Music video
Retrospective

At the time, I didn’t have a camera, so this film was (quite obviously) shot with the camera on my Pixel 3. Despite the phone camera quality look of the film, I actually really like a few of the shots – particularly the close-ups.

My cameo
I just like this shot

I storyboarded the entirety of the film before we shot it so I was able to shoot with existing shot composition in mind.

The colour grade was maybe a mistake. It’s very overly saturated – which I honestly prefer over the duller colours in the original footage – but we’ve got my laptop screen with 45% sRGB coverage to blame for it. Initially, we had planned to produce original music for the film, but with the deadline approaching, we settled on using ‘Raindrops Keep Falling on My Head’ from B. J. Thomas.

I made a ‘sequel(?)’ in 2022 utilising unused footage when my umbrella that I used in the original music video broke.

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